The enigmatic artist Mr. Black, known for his cryptic street art and ambitious 21,000-piece ordinal collection on the Bitcoin blockchain, claims that the Messianic Age will be revealed once the collection is fully minted. However, recent developments suggest that Mr. Black might be facing censorship on the social media platform X, formerly known as Twitter.
Mr. Black has gained global attention with his mysterious posters and stickers in cities like Jerusalem, Rome, Mexico City, Paris, and Tel Aviv. His promise that minting out his collection will usher in a new era of universal peace and enlightenment has ignited both excitement and skepticism.
Recently, Mr. Black has been posting provocative art pieces featuring high-profile figures such as Elon Musk (@elonmusk), Dana White (@danawhite), Jeff Bezos (@JeffBezos), CZ from Binance (@cz_binance), and Ayatollah Khamenei (@khamenei_ir). These artworks, which blend commentary on power and influence, have sparked significant debate and controversy.
Amidst this, there are growing concerns that Mr. Black’s posts are being suppressed on X. Followers have noticed a decrease in the visibility of his posts, with some claiming that his latest updates are harder to find or have been flagged by the platform. This raises the question: Is Mr. Black being silenced?
Why would X, a platform that thrives on diverse voices, choose to suppress Mr. Black’s posts?
Are these actions aimed at stifling his bold claims about the Messianic Age?
Is there pressure from influential figures depicted in his art to curtail his reach?
The implications of silencing Mr. Black are significant. If his claim that the Messianic Age will begin with the minting of his collection holds any weight, suppressing his voice could be seen as a direct attempt to hinder a transformative era. His followers argue that any interference with his mission is a broader attack on freedom of expression and artistic innovation.
As Mr. Black’s countdown continues, the art and crypto communities are watching closely. The potential suppression of his voice on X adds another layer of intrigue to his already mysterious persona. Whether or not Mr. Black’s vision of the Messianic Age will come to pass, the controversy surrounding his work highlights the ongoing struggle for artistic freedom in the digital age. The world waits to see if Mr. Black can overcome these obstacles and fulfill his ambitious prophecy.
Cover image from Mr. Black